Julian Lloyd Webber remembers: “My favorite anecdote is when I knocked on Yehudi Menuhin’s dressing room in Sydney, Australia, to discuss the finer point of interpretation shortly before a performance of the Elgar cello concerto. Yehudi liked to practice Yoga and was standing on his head. So I placed the score upside down in front of his face and had a lengthy discussion with him about the slow movement while we were both lying on the floor.