The Theosophical Labyrinth
John Algeo – USA
The Ancient Wisdom comes to us by many channels: religious scripture, philosophical dissertations, scientific experiments, fairy tales, music, painting, dance, mandalas, poetry, and labyrinths. A labyrinth is a winding path in a complex pattern. The word “labyrinth” comes from Greek, but is probably based on a non-Greek word, perhaps the term labrys from the Lydian language of Asia Minor, a term for a double-headed ax. The latter was a symbol of royalty and of divinity in the ancient Near East, and is symbolically appropriate because the labyrinth has two aspects. It cuts, as it were, two ways, being a road both inward and outward. In English labyrinths have also been called by such curious names as “Troy Town,” the “Walls of Troy,” “Fair Rosamund’s Bower,” “St. Julian’s Bower,” and “Jerusalem” from their use or from legends associated with them.
Labyrinths are of two main types. One consists of a single pathway that winds about, leading in and out from the circumference toward the center and back again until it finally arrives at its end, the center of the labyrinth. The technical term for such a pattern is “unicursal labyrinth” or, as a popular name, a “meander.” The word “meander” is also from Greek, originally the name for a river in Asia Minor whose bed wound back and forth across the land until it came to the sea. From the pattern of that river bed, the term “meander” was applied to any pattern of movement in a winding and intricate way. Since, in walking a unicursal labyrinth, one is in fact meandering through it, the term is appropriate.